Autonomous driving paper index
Voices of Dissent
One-line summary
Chapter 2 focuses on the dramatic monologues of Valerie Bloom, Jean “Binta” Breeze, and Amryl Johnson in the late 1980s and mid 1990s.
Engineering notes
Key topics: autonomous driving, lidar. See the paper for implementation details and experimental results.
Chinese explanation / 中文解读
中文解读待补充：本站会优先为端到端自动驾驶、BEV感知、3D目标检测、轨迹预测、路径规划、LiDAR感知等高价值论文补充中文说明。
Original abstract
Chapter 2 focuses on the dramatic monologues of Valerie Bloom, Jean “Binta” Breeze, and Amryl Johnson in the late 1980s and mid 1990s. In the aftermath of the radicalism of Black British feminist organizations in the 1970s, the politics of dissent remained an abiding force both in racialized feminism and in Black British women’s poetry. Bloom’s personae take on different postures towards Black feminist politics in Touch Mi! Tell Mi! . In Riddym Ravings , Breeze writes “meta-monologues” to take on the voice of marginalized, socially alienated, often psychically disturbed Black female figures. In contrast, Amryl Johnson composes a “multiple monologue” in Gorgons , which adapts the myth of Medusa in a contemporary context. While these authors certainly do not provide a blueprint for Black feminist praxis, their dramatic monologues voice dissent as constitutive of any racial politics of solidarity as an open-ended problem and unfinished process.
Links and sources
Need this topic turned into a technical roadmap?
Full Self Driving can prepare a custom autonomous driving literature review, code map, dataset map, and B2B technology assessment.
Request B2B research
Comments